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Courtesy of the Kalamazoo Institute of Arts
View of Nihonbashi Tori Itchome, #44 in the series One Hundred Views of Edo
Courtesy of the Kalamazoo Institute of Arts
Courtesy of the Kalamazoo Institute of Arts
Photograph and Digital Image © Kalamazoo Institute of Arts. Not for reproduction or publication.
On View
Not on view
Object number1960/1.344

View of Nihonbashi Tori Itchome, #44 in the series One Hundred Views of Edo

Artist (Japanese, 1797-1858)
Date1858
Mediumwoodblock print
Dimensionsmat: 20 × 16 in. (50.8 × 40.6 cm)
mount: 18 1/8 × 13 1/2 in. (46 × 34.3 cm)
sheet: 13 5/8 × 9 1/16 in. (34.6 × 23 cm)
image: 13 1/4 × 8 3/4 in. (33.7 × 22.2 cm)
Credit LineGift of Miss Fillette Many
Exhibition HistoryRound and Round, Ethel Denton Groos Gallery, November 4, 2017 - March 4, 2018Label TextA huge, two-tiered parasol shelters a group of Sumiyoshi dancers strolling down a main street of Edo (Tokyo) in the Nihonbashi district. Dancing around a large, stationary parasol was part of an agricultural ritual originating at the Sumiyoshi Shrine near Osaka. By Hiroshige’s time, seasonal minstrels who performed dances at various shrines were called Sumiyoshi dancers. The tilted circular form repeats in smaller parasols and hats, as far as we can see down the strong diagonal of the street. The diminishing sizes reinforce Hiroshige’s adoption of a Western-style representation of depth and distance.
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