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Freedom:  A Fable
Freedom: A Fable
Freedom:  A Fable
Photograph and Ditital Image © Kalamazoo Institute of Arts. Not for reproduction or publication.
On View
Not on view
Object number2002.19

Freedom: A Fable

Artist (American, 1969-)
Date1997
Mediumpaper, laser-cut
DimensionsOverall: 5/8 × 9 3/8 × 8 1/4 in. (1.6 × 23.8 × 21 cm)
Credit LineGift of Angela Graham and Don Desmett
Exhibition History"New Accessions to the Permanent Collection," KIA Long Gallery (Dec. 7, 2002 - Feb. 23, 2003). "Embracing Diverse Voices: African-American Art in the Collection of the Kalamazoo Institute of Arts," KIA Galleries 3&4 (Oct. 3 - Nov. 29, 2009). "Embracing Diverse Voices: 90 Years of African-American Art," KIA Traveling Exhibition, Tyler Museum of Art, Tyler, TX (January 17 - March 20, 2016). "Embracing Diverse Voices: A Century of African-American Art," KIA Traveling Exhibition, North Carolina Central University Art Museum (October 7 - December 12, 2016). "Resilience: African American Artists as Agents of Change," at the KIA (September 14, 2019 - February 16, 2020) "Resilience: African American Artists as Agents of Change," [Travel Version] at the Dennos Museum Center, Traverse City, MI (June 6, 2021 - August, 15, 2021)Label TextKara Walker has introduced a unique voice in contemporary art with her appropriation of the 18th and 19th-century practice of cutting paper portrait silhouettes, recreating narratives from the Antebellum South that re-define racial stereotypes and plantation mythologies. In the 1997 catalogue for her exhibition at the San Francisco Museum of Modern Art, Walker describes how "The silhouette says a lot with very little information, but that's also what the stereotype does. So I saw the silhouette and the stereotype as linked. Of course, while the stereotype, or the emblem, can communicate with a lot of people, and a lot of people can understand it, the other side is that it also reduces differences, reduces diversity to that stereotype." In 2006 the artist was invited to juxtapose works from the permanent collection of the Metropolitan Museum of Art, New York, with her own art work as a response to the Hurricane Katrina catastrophe.